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This week’s Film Chartbuster
# Songs Film
1
Music Review : Horn… Ok… Pleassss

Music Review : Horn… Ok… Pleassss


Director :
Music :
Lyrics :

Starring :

 Rakesh Sarang
 Lalit Pandit
 Salim Bijnori, Sajid Farhad, Shrirang Godbole
 Nana Patekar, Muzammil Ibrahim, Rimii Sen, Satish Shah, Ali Asgar, Nirmiti Sawant, Mukesh Tiwari, Vrajesh Hirjee.

 

Music Review : Horn... Ok... Pleassss

Music Review : Horn... Ok... Pleassss

HORN OK PLEASSS, a frothy popcorn entertainer brings back lively Nana Patekar back in contention as one of formidable lead players in the business. This Rakesh Sarang’s directorial debut with Lalit Pandit chairing up the music director place comes out with low profile and bleak expectations. Like unconventional TAXI NO.9211, the feel is presumed to be innovatively entertaining for multiplex viewers. On flip side, Lalit Pandit has still not triumphed as solo composer in the marquee and this album too comes out with zilch expectations. Can HORN OK PLEASSS be breaking the ice and giving out the first probable commercial hit to Lalit Pandit as solo composer? Let’s check this out!

In a film that is titled with popular catch-line on almost every private vehicle (HORN OK PLEASSS), one could have easily anticipated track like ”Pom Pom Pom” to be its introductory number. Neeraj Sridhar, a title track specialist in almost every Pritam’s album jesters out this energetic track that has hilariously shades to it and is infused with peculiar sounding sounds (primarily horns) with sluggish westernized orchestrations in its backdrop. In terms of contents, it sounds thematically similar to Vishal-Shekhar’s ”Meter Down” (TAXI NO 9211) and is presumed to be an impounding promotional track where all lead players sizzles out the comical feel of flick in playful gestures. It gets a generous replication in its ”remix” version where it gets a peppy ”club- house” stylized gyrated feel in its musical flows. Lalit Pandit along with lyricist Sajid Farhaad delivers out an appropriately amusing number but still the feel is restricted to its cinematic viewing and fails to be as striking as ”Meter Down”.

Sizzling Sunidhi Chauhan, a specialist among hot-selling ”item numbers” scores out the biggest bonanza of the album as she lights up affair with an energetically pulsating track in ”Nathani Utharo”. This Salim Bijnauri’s spicily penned track has strong inspirational lifts from earlier hit ”item numbers” (”Beedi” (OMKARA) and ”Kajrare” (BUNTY AUR BABLI)) where bouncy orchestrations collage affably with catchy composition. Lalit Pandit gets the fine amalgamation of instrumental works in racy flow of thumping keyboard notes to deliver raunchy impact and is likely to be getting attention in marquee for this massy soundtrack. After sizzler like ”Dekhta Hai Tu Kya” (KRAZZY 4), this lucratively enticing track (second communion of Sunidhi Chuhan and Rakhi Sawant) with effervescently thumping feel is likely to be eye-candy and should be catalyzing factor in film’s promotion. Toshi’s folksy back-up vocals adds rustic flair to it and works well to subjugate the spicy ”nautanki” surroundings to it. The resonantly loud ”remix” version is another ”dhin-chak” promotional feature track that is likely to be adding positive hues and vibes for the film’s prospects at the box office.

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Music


This week’s Film Chartbuster
# Songs Film
1
Dostana

Dostana


Dostana

Dostana

DHARMA PRODUCTIONS and Karan Johar are the names that have stood confidently as reliable ”blue-chip” entertainers for decades and DOSTANA comes out as their latest and solitary entry of this year. Hailed as a prospective blockbuster, it boasts of an array of A-list actors with astronomical production values that can deliver out the most happening locales of the world on silver screen. After making great chemistry with triumphant trio Shankar-Ehsaan-Loy (KAL HO NA HO, KABHI ALVIDA NA KEHNA), baton has shifted to another successful contemporary Vishal-Shekhar (V-S) for this peppier friendly saga. It’s a challenging transition but still V-S is one promising entity that have been reigning charts with their livelier compositions for last few years. Despite its hi-profile and huge expectations, all eyes will be on its melodic contents as all previous DHARMA PRODUCTIONS ventures have been consequentially high (rather trendsetting) in their quality and standards. Will this be another ”music meeting contents” emotional paradigm? Do find this out!

Karan Johar goes Farhan Akhtar’s way in trying to create a lively ”Dil Chahta Hai” type of male-bonding of wining, dining and fun-frolicking ways in perky sounding ”Jane Kyun”. Vishal Dadlani shed his crooner iconic tastes and softens to the mood that well describes the frothy companionship in exotic locales in his subtle baritones. Anvita Dutt Guptan’s bubbly wording is westernized to core in its deliverance and sounds like another inspiring advertisement jingle. Vishal-Shekhar (V-S) music tries to build picturesque beach music with enthralling backdrop of thriving percussive elements and keyboards notes. This song that could well have been credited as ”I’ll be all right” comes out as front-runner among musical offerings for epitomizing the ”yuppie” feel of the flick. It’s likely to be one big highlight in chartbusters in coming days and its well coordinated conceptualization on big screen will further be appreciating its commercial prospects.

”Pretty Woman” (KAL HO NA HO), ”Small town girl” (BACHNA AE HASEENO) and now ”Desi Girl”! Shanker Mahadevan shows his immaculate specialization in girl wooing soundtracks by vocally emoting out all histrionics that well marks the arrival of another winner in ”Desi Girl”. V-S makes it a ”disco-bhangra” listening treat where bombastic ”bhangra” beats collages with rapturous flow of disco beat fillers. There’s not as much innovation in its composition or in Kumaar’s lyrics but the sprightly pumped arrangements have the thump to make booty shake on floors. Sunidhi Chauhan’s added feminine oomph adds spicy touches in making it party-loving ”bhangra” beat culture soundtrack. On the big screen, one can expect it to be another ”It’s time to disco” (KAL HO NA HO”) or ”Where’s the party tonight” (KABHI ALVIDA NA KEHNA) where all three lead players dance out to these set of frivolous rhythms and tunes.

”Maa Da Ladla” marks the arrival of prankster song that has its strong base in intrinsically Punjabi music with loads of humorous suggestive impressions. It’s a song that lampoons out a soon-to-be wedded spoilt groom in hilarious punches that are well penned by Kumaar in folksy flair. Bali Brahambhatt’s popular track ”Amma Dekh Tera Munda” (STUNTMAN (1994) had the similar flavor of teasing-pleasing but this one has more rustic and ethnic touches, one that was last experienced in ”Bhootni Ke” (SINGH IS KINNG). Saleem’s upcoming voice has the Punjabi booming impulse but still its cinematic view will be more engrossing and appealing.
After hot-stopper on floors ”Lucky Boy” (BACHNA AE HASEENO), V-S charges up with another hot trailblazing hip-shaking soundtrack in ”Shut up and bounce”. A racy and pulsating disco-dancing track by Sunidhi Chauhan works primarily on typical Karan Johar’s musical moods, analogous in composition to tracks like ”It’s time to disco” (KAL HO NA HO). Shilpa Shetty is all set to make svelte ”n” sensuous presence and likely to be one bright spot in encouraging glam-quotient of this ”dosti” special flick. Anvita Dutt Guptan’s ”Hinglish” wording in peppier tones infuses feminine grace but arrangements sounds routine in their rigorous punches.

Somber Sufi overtones in mushy English chorals and embellished with smoothening arrangements makes way for album’s mesmerizing soulful outcry in ”Khabar Nahi”. Amanat Ali’s penetrative vocals make a resounding impact in his modulating pitches that concocts to the subtle-paced orchestrations. It’s Anvita Dutt Guptan’s meaningful and modest phraseology that emanates supple emotions with ease. Shreya Ghoshal’s brief mellifluous inclusion in the latter phases is like fresh whiff of air that permeates in this syrupy sounding composition and gives it edgy touches. V-S succeeds to great extent in matching step-to-step S-E-L’s beautiful composition ”Kuch to Hua Hai” (KAL HO NA HO) but the feel is western cum Sufi in its rendition. Mushy ambience, flashy camerawork and slick choreographic edges are likely to be adding grace to it in making it as one of the most lovable sentimental tracks of this year.

After hearing mellowed sentimental title tracks in Karan Johar’s last few ventures like KAL HO NA HO and KABHI ALVIDA NA KEHNA, it was all expected to have a soulful romantic semblance track like ”Kuch Kum” in the album. It may be bit coincident that it sounds shades similar to Shaan’s successful Indi-Pop track ”Aksar” (Album -AKSAR) in its compositions as well as in arrangements but the soulful feel is alluring. Shaan leads this track from the front in his remarkable voice that brings out a feel of romanticism in melodic contours of subtle piano drills, mesmerizing keyboard notes and soft wind chimes. Vishal Dadlani’s expressively penetrative lyrical flows can be adjudged as the ”best” work in the album and rightfully delivers nostalgic romantic moments with supple ease. In terms of composition, it fails to be as resounding like ”Kal Ho Na Ho” (KAL HO NA HO) but can well be accounted as one of the brightest and most impressive solo ballad of this year. After repetitive hearing of this nostalgic-feel track, one really falls for its charms and Shaan’s scintillating voice that works like magic in somber tones.

Vishal-Shekar (V-S) makes another ”Dostana” with their enthusiastic fan-following by delivering out a reasonably pleasant album that correlates to the feel of this hi-profile flick. Unlike last few Karan Johar albums, DOSTANA may not be enjoying higher shelf life but will surely be hitting charts in coming days. Massy soundtracks like ”Jane Kyun” and ”Desi Girl” are likely to be emerging out winners in short span while soulful tracks like ”Khabar Nahi” and ”Kuch Kum” will be getting appreciation for its classy feel.

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Soundtrack: Saas Bahu Aur SenSex (2008)


Director: Rakesh Sarang
Producer: Abdol Samee Siddiqui
Musc: Lalit Pandit
Cast: Nana Patekar, Rimi Sen, Muzammil Ibrahim, Ali Asghar, Satish Shah

TRACK LISTING
1 - Abhi Abhi Jo Tu Aayee Hai
Click here to listen to the song.
2 - What`s Up India (Title Song)
Click here to listen to the song.
3 - Mujh Mein Nigahein Daal De
Click here to listen […]

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Soundtrack: Horn Ok Pleassss (2008)


Director: Rakesh Sarang
Producer: Abdol Samee Siddiqui
Musc: Lalit Pandit
Cast: Nana Patekar, Rimi Sen, Muzammil Ibrahim, Ali Asghar, Satish Shah

TRACK LISTING
1. Horn Ok Pleassss - Pom Pom Pom
Click here to listen to the song.
2. Horn Ok Pleassss - Nathani Utaro
Click here to listen to the song.
3. Horn Ok Pleassss - Ayela Ayela
Click here to listen […]

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Soundtrack: Golmaal Returns (2008)


Director: Rohit Shetty
Star Cast: Ajay Devgan…… Gopal, Arshad Warsi…… Maadhav, Shreyas Talpade…… Laxman, Tusshar Kapoor…… Lucky, Kareena Kapoor…… Ekta, Anjana Sukhani, Amrita Arora, Celina Jaitley…… Meera
Cassettes and CD’s on T-Series
Singers: Neeraj Shridhar, Anvesha Dutta, Akruti Kakkar, Earl, Benny Dayal, Suhail Kaul, Suzi Q, Anushka Manchandani, Monali Thakur, Shekhar Ravjiani, Sneha Pant, Shaan, K K, Vishal […]

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Music Review: Ugly Aur Pagli

Music Review: Ugly Aur Pagli


Music Review: Ugly Aur Pagli

Guess Ugly Aur Pagli is turning out to one film where the leading actors are not worried at all about the joke being on them. So much so that even the film’s title doesn’t spare them and calls out the leading lady as mad and the man as ugly looking! The actors in question? Ranvir Shorey and Mallika Sherawat, the unlikeliest of couples, just as was in case of PNC’s last romantic comedy Pyaar Ke Side Effects.

This time around, it is Anu Malik at the helm of affairs and one hopes that he gets it right yet again after his recent release Love Story 2050. Amitabh Verma gets one of his biggest assignments till date with an entire album to his credit.

Write your own music review of Ugly Aur Pagli
Well, is it indeed Anu Malik or instead Pritam who is at the helm of affairs here? That’s because the moment the opening number ‘Talli’ begins, you know that the new age club sound is clearly belonging to Pritam territory. Add to this Hard Kaur coming up with her English-Punjabi rendition and you know that it is going to be one fun outing.

Well, this is not all as Mika Singh joins soon along with Anmol Malik, Anu’s daughter, and together they have total ‘dhamaal’ in the offering. A dance floor number that has Ranvir, Mallika and Hard Kaur matching steps while being in high spirits, ‘Talli’ is an instant winner and makes an immediate impression in the very first listening. And ’sone pe suhaga’ is the ‘remix version’ that ensures that the tempo of Ugly Aur Pagli remains consistent from start till the finish of the album.

Ishq Bector, who is fast rising up in Bollywood’s rap-n-reggae scene, comes along with Anushka Manchanda for ‘Karle Gunaah’. As it turns out, this is second straight winner for Anu Malik who goes holds-no-bar to create a club song, which just goes perfectly with the urban requirements of the film. While Bector kick starts the proceedings, Anushka holds fort for most of the song’s duration with her Punjabi rendition.

Yet another dance number which keeps the high spirits of the album on while giving an overall funky feel to Ugly Aur Pagli, ‘Karle Gunaah’ is fun on move even as it arrives in it’s much faster ‘remix version’ lower down the order.

Now this is yet another composition that holds so much semblance to the kind of music that Pritam composes, especially in the beginning portions. ‘Yeh Nazar’ is third straight cool-n-funky number in a row, which has Sunidhi Chauhan at the helm. Though the song starts off as a Pritam tune, it has an Anu Malik stamp all over it the moment it gets into the ‘antara’ portions.

While the song has an inherent melodic base to it, it has been laden with all around Western arrangements that ensures there is not a single dull moment in its four and a half minutes duration. Shaan joins the show even as the song is mid way through and does well in taking it through till its completion.

It’s a Spanish beginning to ‘Shut Up, Aa Nachle’ with Anu Malik taking it on himself to not just get the arrangements right but even get behind the mike. He not just croons the Spanish part of the song but continues to sing the rest of the song as well. The beats that accompany the song though are straight out of ‘Mukkala Muqabla’ from Prabhu Deva’s Humse Hai Muqabla that was released more than a decade back.

Coming back to ‘Shut Up, Aa Nachle’, it is a vintage Malik composition all the way, which is spiced up further courtesy Vasundhara Das who is quite good in her rendition for a song which has a mix of Spanish, Western and Punjabi mood. Dibyendu Mukherji is heard for a brief moment as well but the song predominantly stays on to be a Malik-Das combo effort. Yet again, a song that aids in creating an overall fast-paced mood of the album and turns out to be a fine inclusion.

Longest song of the album arrives at the very end and has Mohit Chauhan coming behind the mike. From the man who has crooned some melodious tracks like ‘Dooba Dooba Rehta Hai’, ‘Guncha’ and ‘Tum Se Hi’, one doesn’t expect a club outing and this is exactly the case as ‘Yaad Teri Aaye’ turns out to be a dipped-in-melody number that brings an immediate ‘thehrav’ to the scheme of things in Ugly Aur Pagli.

A track about remembering your loved one and missing her presence in your life, ‘Yaad Teri Aaye’ is a very good number that has to be played on when alone. With only a guitar accompanying Mohit’s soulful vocals, the song is a brilliant effort by Anu Malik who gets a pure composition rolling and makes one wonder if the industry has been unfair to him during last couple of years by ignoring him in a big way! A perfect finale to a fun album.

What works perfectly fine in case of Ugly Aur Pagli is that there is not a single dull moment in this album that lasts close to 35 minutes. While club sound prevails for most part of the album and throws one song after another that work together in creating just the perfect ambience for this mad romantic comedy, the ending is just perfect too with Mohit Chauhan’s ‘Yaad Teri Aaye’ winning accolades hands down. Go for this one and have some good times!

 

 Source : Joginder Tuteja, Bollywood Hungama News Network

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Zindagi Tere Naam



Zindagi Tere Naam

Tu Mujhe Soch Kabhi

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Milne Ko Nahi Aaye

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Trishna Trishna Dil

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Milne Ko Nahi Aaye - Male

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Ajnabee Sa Lagta Hai

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Kya Khata Ho Gayee

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Milne Ko Nahi Aaye - Female

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Tauba Tauba

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